Silicon Valley//Season 1//Proof of Concept

Written by Clay Tarver
Directed by Mike Judge
Originally aired May 18, 2014


In a twist whose very invariability is offset by its hilariously physical deployment, Mike Judge and company split the climactic weekend at TechCrunch into two parts. Considering the timing (HBO took Memorial Day weekend off), the heightened stakes should work in the series’ favor as the finale of this admittedly extra short first season draws near. Since its humble beginnings, Silicon Valley has charged forth with an emphasis on plot. While the writers have been undeniably successful in this area (from initial financing to high stakes competition in just 7 episodes), the pace has often left viewers wanting for real character development. For a series that seems oddly committed to both humiliating and highlighting its central collection of outcasts, Silicon Valley has done little to offset its own prominent stereotypes. To the credit of the writing staff, they’re stuck in a bit of a Catch-22. A realistic portrayal of the emotionally locked up and socially stunted doesn’t tend to lend itself to meaningful interactions or obvious growth. “Proof of Concept” attempts to demonstrate the vulnerability beneath the layers of snark and Red Bull. In many ways, having neglected to spend enough time with the inner lives of these characters, the results are unconvincing. Continue reading


Silicon Valley//Season 1//Third Party Insourcing

Written by Dan O’Keefe
Directed by Alec Berg
Originally aired May 11, 2014


Where “Signaling Risk” delighted in skewing the traditional deployment of race in TV, “Third Party Insourcing” lightly teases the inherent competitiveness of misogyny while simultaneously providing eye candy for the series’ male dominated (and potentially sex deprived) audience. Milana Vayntrub cameos as Gilfoyle’s girlfriend, Tara, who’s described as an “Amy Winehouse-type.” While this leads to one of the best lines of the episode (“What does that even mean?” “Decomposing? Oh god…that was dark”), her presence is little more than a source of sexual fixation for the guys of Pied Piper. Sadly, the use of Tara as bait for an ongoing feud between Gilfoyle and Dinesh would still be misogynistic even if the results were funnier than they actually are. Regardless, the circumstances give Kumail Nanjiani a chance to truly shine as the internally conflicted Dinesh and T.J. Miller’s Erlich uses the opportunity to dress down perhaps a bit too much. Continue reading

Silicon Valley//Season 1//Signaling Risk

Written by Jessica Gao
Directed by Alec Berg
Originally aired May 4, 2014


HBO has been flirting with brilliance pretty aggressively as of late. Last week, Game of Thrones produced arguably the best episode of its fourth season. “The Laws of Gods and Men” went just far enough to prove its merits without stepping into that rarefied space where a long-running, multi-arc series focuses in so extremely on one moment that it produces an almost hallucinatory state of association in the viewer. Had the episode been exclusively centered on the trial of Tyrion Lannister it may have reached the dramatic heights of Breaking Bad’s Emmy Award winning episode “The Fly.” The week prior, Silicon Valley writer Jessica Gao wrote one of the more curiously modern comedic takes on race with “Signaling Risk.” The intelligence of the episode is largely indicative of the new way TV talks about race. Its imperfection is a reflection of the difficulty faced by writers wanting to confront an eternally sensitive subject without being preachy or worse unfunny. Continue reading

Silicon Valley//Season 1//Fiduciary Duties

Written by Rob Weiner
Directed by Maggie Carey
Originally aired April 27, 2014


While the first three episodes of Silicon Valley hinted at the series’ ability to be a stable if occasionally predictable dramatic comedy, “Fiduciary Duties” proves these early suggestions wholly substantial. In many ways, this development is both disappointing and enlightening. The episode’s irony is broad; its conflicts are, in contrast to previous episodes, relatively insubstantial; and its best laughs are found in its smallest gestures. Much like its protagonist, “Fiduciary Duties,” arrives at the point where it must make a crucial decision about what it wants to be. The looseness that inspired moments of idiosyncratic comedic gold ( “Always blue!”, “Mushroom stamp”, etc.) are filtered out by a tightness of script that better serves the style of programming (HBO’s unbroken 30 minutes as opposed to a network sitcom’s 8-10 minute bursts between commercials) and balances the gross caricature of the region/industry and its culture of leeches with focused intention. For all its successes at narrowing its narrative scope, “Fiduciary Duties” does take things rather slow. There are plenty of moments that eschew the bold satire the series has already become famous for in favor of probable absurdity. Or perhaps, having become fully acclimated to the series’ unique brand of humor, moments that may have otherwise stuck out as purposefully unreal now seem deeply embedded in the mundane madness of this world. The episode sets this tone early when Richard meets with his faux hipster lawyer who appears more interested in his collection of signed guitars than in Pied Piper’s possible success. He is the first of many (including Richard himself) to highlight the necessity of being able to explain what exactly the company does. The episode follows in the baby steps of “Articles of Incorporation” in asking Richard to do something seemingly straightforward which turns out to be impossibly stressful. Continue reading

Silicon Valley//Season 1//Articles of Incorporation

Written by Matteo Borghese & Rob Turbovsky
Directed by Tricia Brock
Originally aired April 20, 2014


One of the underlying ironies surrounding technological progress is the rounding up of all questionable endeavors of the past to being worthwhile so long as something good eventually comes of them. Of course, “good” is a very malleable idea especially when it comes to internet-based technologies. Is it “good” that 12 year olds have smart phones so that they can entertain themselves while their parents get some much needed alone time? Is it “good” that GPS systems allow drivers to efficiently navigate their way to the grocery store down the street? In the midst of an episode rife with hilarious and pointed insight, one character points out how “nobody jerks off to magazines anymore.” The long-suffering poster child for selfish indulgence, masturbation is to sex what social networking is to actually being social. What further complicates this analogy is the analog components of solo sexual fantasy fulfillment (a phrase I think I heard Erlich mutter during his vision quest) have been usurped by the further isolating and anonymity-inducing digital world. Is it then “good” that pornography is so much more accessible than it ever was before? Does a vintage Playboy gain or lose value when the person sitting next to you on the morning commute is, in all likelihood, privately accessing Youporn on their tablet? Is this what progress looks like? Continuing its tradition of lampooning the tech industry while simultaneously providing a sympathetic portrait of the plight of the common startup, Silicon Valley manages to call into question the value of so-called progress without ever taking a regressive stance. Continue reading